Two exhibits at the El Paso Art Museum feature print media by influential Mexican artists and photographs of abstract landscapes.
The first, “El Taller De Gráfica Popular”, provided an in-depth examination of the print media – posters, leaflets, portfolios and brochures – created by the artist collective “taller” or workshop during Mexico’s post-revolutionary years. It was founded by artists Leopoldo Méndez, Luis Arena and Pablo O’Higgins in Mexico City in 1937 and addressed the growing wealth and educational disparities between social classes in Mexico.
According to the museum, “the collective’s objective was to produce highly didactic political and socio-economic works of art, intended to educate the population to adopt changes and carry out the desired reforms.”
Famous Mexican artists such as Alberto Beltán, Rufino Tamayo and Diego Rivera contributed to the collaboration.
“El Taller De Gráfica Popular” runs until October 10 at the Woody and Gayle Hunt Family Gallery.
Another exhibition, “Michael Namingha: Altered Landscapes”, showcases the artist’s abstract, photography-based works that juxtapose geometric shapes in vivid neon colors with black and white aerial landscapes of the Four Corners region. .
His work focuses on the environmental impact of the oil industry around New Mexico’s Chaco Canyon, a national historic park sacred to the ancestral Puebloans; and Black Place, the Navajo Nation’s Bisti / De-Na-Zin Wilderness, according to the museum.
“Namingha’s work, on the other hand, is non-confrontational, even silent, inviting viewers to contemplate the devastating effects of the oil and gas industries on ancestral lands,” the museum says.
The exhibition is on display until January 2, 2022 at the Peter and Margaret of Wetter Gallery.
Information: 915-212-0300; epma.org; @elpasomuseumofart on Facebook and Instagram.